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(2011) Rivista di estetica 46.
This essay discusses the matter of the cinematography, with the analysis of Elio Petri’s film and novel, La proprietà non è più un furto, in the background. These works are paradigmatic as to a fundamental aspect of the cinematography, that connects it with the mechanism of the money. This mechanism, as every other human product, is the effect of a projection of the humanistic ideology. For this ideology the system of exchange is the ground of the monetary circulation. Criticizing this idea, this essay individualizes a correspondence between production (capture) of images in the cinema and monetary circulation (considered in his totality of displacement and original theft).
Publication details
Full citation:
Giugliano, D. (2011). Immagini del denaro: scambio, temporalità e dispendio nel cinema. Rivista di estetica 46, pp. 61-74.
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