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(2019) Performance phenomenology, Dordrecht, Springer.
Acting without "meaning' or "motivation"
a first-person account of acting in the pre-articulate world of immediate lived/living experience
Phillip B. Zarrilli
pp. 287-309
Oscillating between being "within' and "without' a performative experience, Phillip Zarrilli's chapter details the ways in which performance, as necessarily embodied and perceived, makes manifest some of the better-known tenets of phenomenological thinking. In particular, he illuminates the way in which a performance event underscores the prevalence of the bodymind (as per Merleau-Ponty), and even more explicitly (through his key example of Beckett's Act Without Words I), a Heideggerian "thrownness'. The chapter further touches upon many of the key phenomenological tropes that are highlighted early and often in the book, especially a desire to be precise and rigorous in terms of articulating what phenomenology is and what it does, specifically with respect to the study of theatre and performance.
Publication details
DOI: 10.1007/978-3-319-98059-1_14
Full citation:
Zarrilli, P. B. (2019)., Acting without "meaning' or "motivation": a first-person account of acting in the pre-articulate world of immediate lived/living experience, in S. Grant, J. Mcneilly-Renaudie & M. Wagner (eds.), Performance phenomenology, Dordrecht, Springer, pp. 287-309.
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