181139

Springer, Dordrecht

2009

310 Pages

ISBN 978-1-4020-5637-6

Thinking art

an introduction to philosophy of art

Antoon van den Braembussche

In the twentieth century, avant-garde movements have pushed the concept of art far beyond its traditional boundaries. In this dynamical process of constant renewal the prestige of thinking about art as a legitimizing practice has come to the fore. So it is hardly surprising that the past decades have been characterized by a revival or even breakthrough of philosophy of art as a discipline. However, the majority of books on aesthetics fail to combine a systematical philosophical discourse with areal exploration of art practice.

Thinking Art attempts to deal with this traditional shortcoming. It is indeed not only an easily accessible and systematic account of the classical, modern and postmodern theories of art, but also concludes each chapter with an artist's studio in which the practical relevance of the discussed theory is amply demonstrated by concrete examples. Moreover, each chapter ends with a section on further reading, in which all relevant literature is discussed in detail.

Thinking Art provides its readers with a theoretical framework that can be used to think about art from a variety of perspectives. More particularly it shows how a fruitful cross-fertilization between theory and practice can be created. This book can be used as a handbook within departments of philosophy, history of art, media and cultural studies, cultural history and, of course, within art academies. Though the book explores theories of art from Plato to Derrida it does not presuppose any acquaintance with philosophy from its readers. It can thus be read also by artists, art critics, museum directors and anyone interested in the meaning of art.

Publication details

Full citation:

van den Braembussche, A. (2009). Thinking art: an introduction to philosophy of art, Springer, Dordrecht.

Table of Contents

Introduction

van den Braembussche Antoon

1-12

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The imitation theory

van den Braembussche Antoon

15-35

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Expression theories

van den Braembussche Antoon

37-60

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Formalism

van den Braembussche Antoon

61-86

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Art as a synthesis of form and expression

van den Braembussche Antoon

87-109

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Aesthetic judgment

van den Braembussche Antoon

111-135

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"The end of art"

van den Braembussche Antoon

139-165

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Art and society

van den Braembussche Antoon

167-193

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The phenomenological perspective

van den Braembussche Antoon

197-228

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The modern version of formalism

van den Braembussche Antoon

229-247

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The post-structuralist perspective

van den Braembussche Antoon

249-293

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Epilogue

van den Braembussche Antoon

295-299

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