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(2014) The global sixties in sound and vision, Basingstoke, Palgrave Macmillan.
The sun and moon have come together
the fourth way, the counterculture, and capitol records
Kevin Fellezs
pp. 151-166
Formed in 1968, musical group The Fourth Way was among the first bands to merge rock, jazz, and non-Western musical approaches in a way that mirrored the mixed-race membership of the band—white New Zealander pianist Mike Nock, black American violinist Michael White, white American bassist Ron McClure, and black American drummer Eddie Marshall—a notable feature at the time. The band's eponymous debut and their second release, a live recording titled The Sun and Moon Have Come Together, were recorded in the fall of 1969. Their final recording, Werwolf, was a live recording of their appearance in the 1970 Montreux Jazz Festival in Switzerland. However, with the exception of a small number of dates clustered around the band's appearance in Montreux, The Fourth Way rarely performed outside of the San Francisco Bay Area, limiting their exposure.
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Full citation:
Fellezs, K. (2014)., The sun and moon have come together: the fourth way, the counterculture, and capitol records, in T. Scott Brown & A. Lison (eds.), The global sixties in sound and vision, Basingstoke, Palgrave Macmillan, pp. 151-166.
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