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(2019) Contemporary popular music studies, Dordrecht, Springer.
The underground, dispossession and positionality in Greek experimental music
Danae Stefanou
pp. 259-266
Underground, experimental and improvised practices have attracted considerable research attention recently: as examples of "unpopular" popular music; as inbetween genres awaiting to be classified; and as historically overlooked processes that impact on more visible musical histories (e.g. Graham 2012, Beins et al. 2011, Prevost 2011). Such accounts, for all their diversity, are often inevitably centric.
Publication details
DOI: 10.1007/978-3-658-25253-3_24
Full citation:
Stefanou, D. (2019)., The underground, dispossession and positionality in Greek experimental music, in I. Medi, M. Dumnić Vilotijević & I. Medić (eds.), Contemporary popular music studies, Dordrecht, Springer, pp. 259-266.
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