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(2011) Contemporary French theatre and performance, Basingstoke, Palgrave Macmillan.
Do you mean to say there isn’t anyone among your contemporaries who would like to look like no one else on the face of the earth? No one who wants to set himself or herself apart from the common herd? Is there no one who wants to transcend the others, who wants to be adored by them, who wants to distance himself from them and be adored by them precisely because he has distanced himself from them?
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Full citation:
Aston, E. (2011)., From Orlan to Bernhardt: recycling French feminism, theatre and performance, in C. Finburgh & C. Lavery (eds.), Contemporary French theatre and performance, Basingstoke, Palgrave Macmillan, pp. 137-148.
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