Palgrave Macmillan, Basingstoke


301 Pages

ISBN 978-3-319-94071-7

End-of-art philosophy in Hegel, Nietzsche and Danto

Stephen Snyder

This book examines the little understood end-of-art theses of Hegel, Nietzsche, and Danto. The end-of-art claim is often associated with the end of a certain standard of taste or skill.  However, at a deeper level, it relates to a transformation in how we philosophically understand our relation to the ‘world’. Hegel, Nietzsche, and Danto each strive philosophically to overcome Cartesian dualism, redrawing the traditional lines between mind and matter. Hegel sees the overcoming of the material in the ideal, Nietzschelevels the two worlds into one, and Danto divides the world into representing and non-representing material. These attempts to overcome dualism necessitate notions of the self that differ significantly from traditional accounts; the redrawn boundaries show that art and philosophy grasp essential but different aspects of human existence. Neither perspective, however, fully grasps the duality. The appearance of art’s end occurs when one aspect is given priority: for Hegel and Danto, it is the essentialist lens of philosophy, and, in Nietzsche’s case, the transformative power of artistic creativity. Thus, the book makes the case that the end-of-art claim is avoided if a theory of art links the internal practice of artistic creation to all of art’s historical forms. 

Publication details

DOI: 10.1007/978-3-319-94072-4

Full citation:

Snyder, S. (2018). End-of-art philosophy in Hegel, Nietzsche and Danto, Palgrave Macmillan, Basingstoke.

Table of Contents

The end of art debate

Snyder Stephen


Open Access Link

Snyder Stephen


Open Access Link
Danto and the end of art

Snyder Stephen


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Style of the future

Snyder Stephen


Open Access Link

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