, 2020a, 'Introduction', Glimpse 21, 7-8.
, 2020b, 'Media structural defacement and its philosophical implications: irony and the uses of grammatic and semantic punctuation', Glimpse 21, 97-107.
, 2019a, 'Introduction', Glimpse 20, 9-12.
, 2019b, 'Notes on media literacy and illiteracy', Glimpse 20, 117-124.
, 2018a, 'Founder's statement', Glimpse 19, 17-20.
, 2018b, 'Time machines and the appropriation of time: mediated, unmediated, immediated', Glimpse 19, 163-183.
, 2017, 'Mediated, unmediated, and immediated', Glimpse 18, 19-29.
, 2014, 'Crisis in film studies', Glimpse 15, 59-63.
, 2012, 'Preliminary remarks on point of listening (pol) and point of view (pov): auditory and visual embodiment and disembodiment', Glimpse 14, 109-118.
, 2011, 'Eidetic other, mediated others, and embodied carrots', Glimpse 13, 85-97.
, 2010, Media, in H. R. Sepp & L. Embree (eds.), Handbook of phenomenological aesthetics, Cham-Heidelberg-New York-Dordrecht-London, Springer, pp. 201-206.
, 2009a, 'Size matters: screen size and storytelling', Glimpse 11-12, 103-111.
, 2009b, 'The untext of the printed word: being', Glimpse 11-12, 112-121.
, 2005, 'Notes on shadows', Glimpse 7, 127-133.
, 2004, 'Eidetic Elvis', Glimpse 6, 41-49.
, 2003a, 'Splitting hairs and talking back: neo-colonial "post-colonial" theory and nappy hair', Glimpse 4, 85-94.
, 2003b, The phenomenological flâneur and Robert Irwin's "phenomenological garden" at the getty center, in A. Tymieniecka (ed.), Gardens and the passion for the infinite, Dordrecht, Springer, pp. 295-303.
, 2001a, Radical empiricism and phenomenological descriptiveness in friar laurence's "earth monologue" in romeo and juliet, in A. Tymieniecka (ed.), Passions of the earth in human existence, creativity, and literature, Dordrecht, Kluwer, pp. 71-80.
, 2001b, 'The selflessness of transcendental deception', Glimpse 3 (1), 9-19.
, 2000a, 'Empathy's imposter: interactivity versus intersubjectivity', Glimpse 2 (1), 59-65.
, 2000b, 'Introduction', Glimpse 2 (1), 4-8.
, 1999a, 'Introduction', Glimpse 1 (1), 4-5.
, 1999b, 'The concept of the dog doesn't bark: notes on a materialist phenomenology and film noir', Glimpse 1 (1), 60-73.