with Hornbuckle, C. , Smith, W.S. (eds) , 2023, Posthumanism and phenomenology: the focus on the modern condition of boredom, solitude, loneliness and isolation, Springer, Berlin.
with Hornbuckle, C. , Smith, W.S. (eds) , 2022, Posthumanism and phenomenology: the focus on the modern condition of boredom, solitude, loneliness and isolation, Springer, Berlin.
with Hornbuckle, C. , Smith, W.S. (eds) , 2021a, Phenomenology of the object and human positioning: Human, non-human and posthuman, Springer, Berlin.
with Hornbuckle, C. , Smith, W.S. (eds) , 2021b, Phenomenology of the object and human positioning: human, non-human and posthuman, Springer, Dordrecht.
with Smith, W.S. , Verducci, D. (eds) , 2018, Eco-Phenomenology: life, human life, post-human life in the harmony of the Cosmos, Springer, Dordrecht.
, 2013, Cosmo-transcendental positioning of the living being in the universe in Anna-Teresa Tymieniecka's New enlightenment, in A. Tymieniecka (ed.), Phenomenology and the human positioning in the cosmos I, Dordrecht, Springer, pp. 1-6.
, 2009, Contextualizing Anna-Teresa Tymieniecka's concept of fabulation, in A. Tymieniecka (ed.), Existence, historical fabulation, destiny, Dordrecht, Springer, pp. 3-8.
, 2007, Ontology and epistemology of time in the stage play: Revisiting Roman Ingarden's The literary work of art and the cognition of literary work of art, in A. Tymieniecka (ed.), Temporality in life as seen through literature, Dordrecht, Springer, pp. 85-93.
, 2006, Phenomenology of emotions: Aurel Kolnai's on disgust and Jacobean drama, in A. Tymieniecka (ed.), Logos of phenomenology and phenomenology of the logos V, Dordrecht, Springer, pp. 259-274.
, 2004a, Defining boundaries in theatrical and ceremonial space in the Middle Ages, in A. Tymieniecka (ed.), Metamorphosis, Dordrecht, Kluwer, pp. 61-67.
, 2004b, Paul Ricoeur's The symbolism of evil and the problem of evil in Marston's Antonio plays, in A. Tymieniecka (ed.), Mystery in its passions, Dordrecht, Kluwer, pp. 237-244.
, 2000, The problem of reconciliation in remorse: Coleridge's dramatic theory and practice, in A. Tymieniecka (ed.), Life creative mimesis of emotion, Dordrecht, Kluwer, pp. 223-230.
, 1998, Exploring aesthetic discomfort in the experience of the comic and the tragic: John Marston's Antonio and Mellida and Antonio's revenge, in A. Tymieniecka (ed.), Enjoyment, Dordrecht, Kluwer, pp. 127-136.
, 1997, The representation of limbo in medieval drama, in A. Tymieniecka (ed.), Passion for place Book II, Dordrecht, Springer, pp. 3-10.
, 1995, The concept of space in medieval drama: Toward a phenomenological interpretation in medieval studies, in A. Tymieniecka (ed.), The elemental passion for place in the ontopoiesis of life, Dordrecht, Kluwer, pp. 231-239.
, 1994a, Allegory and the dramatic foundations of the medieval theater, in A. Tymieniecka & M. Kronegger (eds.), Allegory old and new, Dordrecht, Springer, pp. 29-35.
, 1994b, The communication of the sacred in Tymieniecka's the three movements of the soul, in A. Tymieniecka (ed.), From the sacred to the divine, Dordrecht, Kluwer, pp. 75-81.
, 1991, A theory of drama and theatre, in A. Tymieniecka (ed.), Ingardeniana III, Dordrecht, Kluwer, pp. 3-62.
, 1990a, A new phenomenology: A.-T. Tymieniecka's departure from Husserl and Ingarden, in H. Rudnick (ed.), Ingardeniana II, Dordrecht, Kluwer, pp. 25-36.
, 1990b, Longinus' on the sublime and the role of the creative imagination, in A. Tymieniecka (ed.), The elemental passions of the soul poetics of the elements in the human condition III, Dordrecht, Kluwer, pp. 225-231.