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(2000) The orchestration of the arts — a creative symbiosis of existential powers, Dordrecht, Kluwer.
Aesthetic symbiosis and spiritual quest
Grünewald's Isenheim altarpiece in Hindemith's opera Mathis der Maler
Siglind Bruhn
pp. 17-51
Publication details
Full citation:
Bruhn, S. (2000)., Aesthetic symbiosis and spiritual quest: Grünewald's Isenheim altarpiece in Hindemith's opera Mathis der Maler, in M. Kronegger (ed.), The orchestration of the arts — a creative symbiosis of existential powers, Dordrecht, Kluwer, pp. 17-51.
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