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References
Sidney Feshbach
An orchestration of the arts in Wallace Stevens' "Peter quince at the clavier"
2000
in: The orchestration of the arts — a creative symbiosis of existential powers, Dordrecht : Kluwer
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Elegy rebuffed by pastoral eclogue in Wallace Stevens' "sunday morning"
2000
in: Life creative mimesis of emotion, Dordrecht : Kluwer
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The light at the end of the tunnel is coming right at me, or, the dialectic of elemental light and elemental dark
1992
in: The elemental dialectic of light and darkness, Dordrecht : Kluwer
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The hundredlettered name: Thunder in James Joyce's Finnegans wake
1991
in: New queries in aesthetics and metaphysics, Dordrecht : Kluwer
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The passion of apprehension: The soul’s activity as the agent intellect in James Joyce's A portrait of the artist as a young man
1990
in: The elemental passions of the soul poetics of the elements in the human condition III, Dordrecht : Kluwer
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Empedocles: the phenomenology of the four elements in literature
1988
in: Poetics of the elements in the human condition II, Dordrecht : Kluwer
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Literal/littoral/littorananima
1985
in: Poetics of the elements in the human condition: the sea, Dordrecht : Reidel
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