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The article aims to provide a new perspective on the role played by Maksim Gorky in the creation of Soviet culture. From multiple documentary sources, it reconstructs the private Naturphilosophie that Gorky began developing in the early years of the twentieth century and which continued to inform his views after he took the helm of the Stalinist cultural establishment. At its center was the monistic concept of energy, which Gorky, under the influence of Aleksandr Bogdanov, came to regard as the principle uniting objective processes and subjective phenomena, nature and human history. Insofar as Gorky's energetics comprises both a doctrine of culture-building and a theory of subjectivity, it allows us to see in a new light the writer's return to the Soviet Union in the late 1920s. His project for a new socialist culture was, at the same time, a project of subjectivity, as he sought to fashion himself into what he thought a socialist individual should be.

DOI: 10.1007/s11212-018-9299-z

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