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Taking into consideration two famous philosophical perspectives (Danto’s and Walton’s, respectively) on artistic categories (“style”, principally), this paper focuses on a peculiarity of Paladinos works: the robust interplay between their transparency (when taken as a medium) and the opaqueness of their contents (when taken as images).
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Full citation:
Kobau, P. (2014). Mezzo opaco, mezzo trasparente. Rivista di estetica 55 (supplemento), pp. 113-118.
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