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(2017) Repetition in performance, Basingstoke, Palgrave Macmillan.
The Introduction thinks about Haranczak/Navarre'sControl Signal and the kind of experience this creates, and links it to repetition's invisible forces. It draws on Gilles Deleuze's writing on Francis Bacon's work to consider how the latter may offer a way into understanding the experience of repetition on the spectator's body.
Publication details
DOI: 10.1057/978-1-137-43054-0_1
Full citation:
Kartsaki, E. (2017). Introduction: invisible forces, in Repetition in performance, Basingstoke, Palgrave Macmillan, pp. 1-19.
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