Repository | Book | Chapter

(2015) Phenomenology in a new key, Dordrecht, Springer.
This paper discusses four different phenomenological approaches to artwords in Heidegger, Levinas, Arendt, and Husserl. Broad similarities between these approaches are investigated as well as the differences in accent and significance accorded to the philosophical analysis of works of art in relation to perception, truth, and knowledge.
Publication details
DOI: 10.1007/978-3-319-02018-1_2
Full citation:
Taminiaux, J. (2015)., Intersections between four phenomenological approaches to the work of art, in J. Bloechl & N. De Warren (eds.), Phenomenology in a new key, Dordrecht, Springer, pp. 15-29.
This document is unfortunately not available for download at the moment.