Repository | Journal | Volume | Articles
In this paper I consider the relationship between concept— assuming that it’s embedded in artwork — and visual representation. To this end, I first examine some of Paladino’s artworks considering them as: very classical, expressivist, postmodernist and anti-conceptualist. Finally, I assume the exhibition in Torino is not only a tribute to Philosophy but also an exhortation to reflect on the complicated relationship between art and reality.
Publication details
Full citation:
Dal Sasso, D. (2014). Mimmo Paladino. Teatro del pensiero, teatro dell'oggetto. Rivista di estetica 55 (supplemento), pp. 59-68.
This document is available at an external location. Please follow the link below. Hold the CTRL button to open the link in a new window.
