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The article is aimed at pointing out the correctness of the basic assumptions of Maurizio Ferraris’ documental theory of social reality, illustrating the results of a case study research. The theoretical analysis leads to an argument that shows that only the reference to the role of writing (and to a broad and diversified conception of Documentality) makes it possible to clarify the phenomenon of social and historical iteration of intellectual heritage. This latter represents an intangible heritage which is neither part of the external perceivable world, nor of a conjectural platonic reality, since – though possessing abstract essence – it stems from a specific point in time.

DOI: 10.4000/estetica.1472

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