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(2019) Performance phenomenology, Dordrecht, Springer.

The unnamed origin of the performative in Heidegger's interpretation of aristotelian phronēsis

Stuart Grant

pp. 63-83

In this chapter, Stuart Grant argues that a sense of the performative is embedded at the core of one of Heidegger's central projects, and that while it is not always explicit or fully realised, an "idea of the performative […] haunts Heidegger's whole body of work".

Publication details

DOI: 10.1007/978-3-319-98059-1_4

Full citation [Harvard style]:

Grant, S. (2019)., The unnamed origin of the performative in Heidegger's interpretation of aristotelian phronēsis, in S. Grant, J. Mcneilly-Renaudie & M. Wagner (eds.), Performance phenomenology, Dordrecht, Springer, pp. 63-83.

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