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(1968) The reach of mind, Dordrecht, Springer.
In his essay on The Origin of the Work of Art (3, 4), Martin Heidegger interprets a painting by van Gogh to illustrate the nature of art as a disclosure of truth.1
Publication details
DOI: 10.1007/978-3-662-40265-8_14
Full citation:
Schapiro, M. (1968)., The still life as a personal object—a note on Heidegger and Van Gogh, in M. L. Simmel (ed.), The reach of mind, Dordrecht, Springer, pp. 203-209.
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