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(2011) A pathognomy of performance, Basingstoke, Palgrave Macmillan.
The masks of comedy and tragedy: the mask as persona, the faces of the dramatis personae. They also signify as per sona, through sound, deploying the voice to reveal the hidden face itself. Or, rather, not to reveal it as the expression of a self, but as what it impersonates.1
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Full citation:
Bayly, S. (2011). The borrowed masks of being, in A pathognomy of performance, Basingstoke, Palgrave Macmillan, pp. 69-82.
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