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(2019) Animal perception and literary language, Basingstoke, Palgrave Macmillan.
In Chapter 5 the keynote is movement, which has been a theme in every Chapter but is now essential to analysis of texts that show how the embodied mind is alive in time. The point is that changes of posture and changes of mind are changes in the division of our acts of attention. The array of a dozen works analyzed has a range of eras, types, lengths, structures, languages, including a best-seller hard-boiled novel, a classic French lyric about art-speech, and a mid-length meditation in Romantic blank verse. (Here the book's only Diagram is a grid showing focus-changes in perception and emotion in the array.) Donald Wesling concludes the whole book with a rationale, unfashionable but unapologetic, for taking every opportunity to name the prosodic and linguistic forms in these twelve items.
Publication details
DOI: 10.1007/978-3-030-04969-0_5
Full citation:
Wesling, D. (2019). Perception and expectation in literature, in Animal perception and literary language, Basingstoke, Palgrave Macmillan, pp. 213-273.
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