Repository | Book | Chapter
(2002) Mathematics and music, Dordrecht, Springer.
This paper deals with a particular mode of thought embedded in both Ancient and Medieval music theory: a mathematical bent stemming from the idea that Music, based on proportional relationships which embody Number, is an audible symbol of a God-given ontological order. This mode of thought influenced the aesthetics of the Ancients and had a crucial impact on the rationalization of musical composition in the late Middle Ages1.
Publication details
DOI: 10.1007/978-3-662-04927-3_1
Full citation:
Ferreira, M. (2002)., Proportions in ancient and medieval music, in G. Assayag, H. G. Feichtinger & J. F. Rodrigues (eds.), Mathematics and music, Dordrecht, Springer, pp. 1-25.
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