References
Paul Majkut
(1999). Introduction. Glimpse 1 (1), pp. 4-5.
(1999). The concept of the dog doesn't bark: notes on a materialist phenomenology and film noir. Glimpse 1 (1), pp. 60-73.
(2000). Empathy's imposter: interactivity versus intersubjectivity. Glimpse 2 (1), pp. 59-65.
(2000). Introduction. Glimpse 2 (1), pp. 4-8.
(2001)., Radical empiricism and phenomenological descriptiveness in friar laurence's "earth monologue" in romeo and juliet, in A. Tymieniecka (ed.), Passions of the earth in human existence, creativity, and literature, Dordrecht, Kluwer, pp. 71-80.
(2001). The selflessness of transcendental deception. Glimpse 3 (1), pp. 9-19.
(2003). Splitting hairs and talking back: neo-colonial "post-colonial" theory and nappy hair. Glimpse 4, pp. 85-94.
(2003)., The phenomenological flâneur and Robert Irwin's "phenomenological garden" at the getty center, in A. Tymieniecka (ed.), Gardens and the passion for the infinite, Dordrecht, Springer, pp. 295-303.
(2004). Eidetic Elvis. Glimpse 6, pp. 41-49.
(2005). Notes on shadows. Glimpse 7, pp. 127-133.
(2009). Size matters: screen size and storytelling. Glimpse 11-12, pp. 103-111.
(2009). The untext of the printed word: being. Glimpse 11-12, pp. 112-121.
(2010)., Media, in H. R. Sepp & L. Embree (eds.), Handbook of phenomenological aesthetics, Cham-Heidelberg-New York-Dordrecht-London, Springer, pp. 201-206.
(2011). Eidetic other, mediated others, and embodied carrots. Glimpse 13, pp. 85-97.
(2012). Preliminary remarks on point of listening (pol) and point of view (pov): auditory and visual embodiment and disembodiment. Glimpse 14, pp. 109-118.
(2014). Crisis in film studies. Glimpse 15, pp. 59-63.
(2017). Mediated, unmediated, and immediated. Glimpse 18, pp. 19-29.
(2018). Founder's statement. Glimpse 19, pp. 17-20.
(2018). Time machines and the appropriation of time: mediated, unmediated, immediated. Glimpse 19, pp. 163-183.
(2019). Introduction. Glimpse 20, pp. 9-12.
(2019). Notes on media literacy and illiteracy. Glimpse 20, pp. 117-124.
(2020). Introduction. Glimpse 21, pp. 7-8.
(2020). Media structural defacement and its philosophical implications: irony and the uses of grammatic and semantic punctuation. Glimpse 21, pp. 97-107.