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References

Paul Majkut

(1999). Introduction. Glimpse 1 (1), pp. 4-5.

(1999). The concept of the dog doesn't bark: notes on a materialist phenomenology and film noir. Glimpse 1 (1), pp. 60-73.

(2000). Empathy's imposter: interactivity versus intersubjectivity. Glimpse 2 (1), pp. 59-65.

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(2000). Introduction. Glimpse 2 (1), pp. 4-8.

(2001)., Radical empiricism and phenomenological descriptiveness in friar laurence's "earth monologue" in romeo and juliet, in , Passions of the earth in human existence, creativity, and literature, Dordrecht, Kluwer, pp. 71-80.

(2001). The selflessness of transcendental deception. Glimpse 3 (1), pp. 9-19.

(2003). Splitting hairs and talking back: neo-colonial "post-colonial" theory and nappy hair. Glimpse 4, pp. 85-94.

(2003)., The phenomenological flâneur and Robert Irwin's "phenomenological garden" at the getty center, in , Gardens and the passion for the infinite, Dordrecht, Springer, pp. 295-303.

(2004). Eidetic Elvis. Glimpse 6, pp. 41-49.

(2005). Notes on shadows. Glimpse 7, pp. 127-133.

(2009). Size matters: screen size and storytelling. Glimpse 11-12, pp. 103-111.

(2009). The untext of the printed word: being. Glimpse 11-12, pp. 112-121.

(2010)., Media, in , Handbook of phenomenological aesthetics, Cham-Heidelberg-New York-Dordrecht-London, Springer, pp. 201-206.

(2011). Eidetic other, mediated others, and embodied carrots. Glimpse 13, pp. 85-97.

(2012). Preliminary remarks on point of listening (pol) and point of view (pov): auditory and visual embodiment and disembodiment. Glimpse 14, pp. 109-118.

(2014). Crisis in film studies. Glimpse 15, pp. 59-63.

(2017). Mediated, unmediated, and immediated. Glimpse 18, pp. 19-29.

(2018). Founder's statement. Glimpse 19, pp. 17-20.

(2018). Time machines and the appropriation of time: mediated, unmediated, immediated. Glimpse 19, pp. 163-183.

(2019). Introduction. Glimpse 20, pp. 9-12.

(2019). Notes on media literacy and illiteracy. Glimpse 20, pp. 117-124.

(2020). Introduction. Glimpse 21, pp. 7-8.

(2020). Media structural defacement and its philosophical implications: irony and the uses of grammatic and semantic punctuation. Glimpse 21, pp. 97-107.

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