Paul Crowther
(1987). Alienation and disalienation in abstract art. In A. Harrison (ed.) Philosophy and the visual arts (pp. 121-133). Dordrecht: Springer.
(2004). Painting, abstraction, metaphysics: Merleau-Ponty and the "invisible". Symposium, 8 (3), 633-646. https://doi.org/10.5840/symposium20048345.
(2007). Space, place, and sculpture: working with Heidegger. Continental Philosophy Review, 40 (2), 151-170. https://doi.org/10.1007/s11007-007-9051-8.
(2013). Imagination, language, and the perceptual world: a post-analytic phenomenology. Continental Philosophy Review, 46 (1), 37-56. https://doi.org/10.1007/s11007-013-9247-z.
(2019). What drawing and painting really mean: the phenomenology of image and gesture. London: Routledge.
(2021). The phenomenology of aesthetic consciousness and phantasy: working with Husserl. London-New York: Routledge.
(2022). The phenomenology of aesthetic consciousness and phantasy: working with Husserl. London-New York: Routledge.