Jadwiga Smith

BibliographyReferences Correspondence

Allegory and the Dramatic Foundations of the Medieval Theater

1994 - in: Anna-Teresa Tymieniecka; Marlies Kronegger (ed), Allegory Old and New: In Literature, the Fine Arts, Music and Theatre, and Its Continuity in Culture, Dordrecht, Springer, pp.29-35.
Open Access Link

The Representation of Limbo in Medieval Drama

1997 - in: Anna-Teresa Tymieniecka (ed), Passion for Place Book II: Between the Vital Spacing and the Creative Horizons of Fulfilment, Dordrecht, Springer, pp.3-10.
Open Access Link

A New Phenomenology: A-T. Tymieniecka's Departure from Husserl and Ingarden

1990 - in: Hans Rudnick (ed), Ingardeniana II: New Studies in the Philosophy of Roman Ingarden, Dordrecht, Kluwer, pp.25-36.
Open Access Link

Longinus' on the Sublime and the Role of the Creative Imagination

1990 - in: Anna-Teresa Tymieniecka (ed), The Elemental Passions of the Soul Poetics of the Elements in the Human Condition III, Dordrecht, Kluwer, pp.225-231.
Open Access Link

A Theory of Drama and Theatre

1991 - in: Anna-Teresa Tymieniecka (ed), Ingardeniana III: Roman Ingarden’s Aesthetics in a New Key and the Independent Approaches of Others: The Performing Arts, the Fine Arts, and Literature, Dordrecht, Kluwer, pp.3-62.
Open Access Link

The Communication of the Sacred in Tymieniecka's the Three Movements of the Soul

1994 - in: Anna-Teresa Tymieniecka (ed), From the Sacred to the Divine: A New Phenomenological Approach, Dordrecht, Kluwer, pp.75-81.
Open Access Link

The Concept of Space in Medieval Drama: Toward a Phenomenological Interpretation in Medieval Studies

1995 - in: Anna-Teresa Tymieniecka (ed), The Elemental Passion for Place in the Ontopoiesis of Life: Passions of the Soul in the Imaginatio Creatrix, Dordrecht, Kluwer, pp.231-239.
Open Access Link

Exploring Aesthetic Discomfort in the Experience of the Comic and the Tragic: John Marston's Antonio and Mellida and Antonio's Revenge

1998 - in: Anna-Teresa Tymieniecka (ed), Enjoyment: From Laughter to Delight in Philosophy, Literature, the Fine Arts, and Aesthetics, Dordrecht, Kluwer, pp.127-136.
Open Access Link

The Problem of Reconciliation in Remorse: Coleridge's Dramatic Theory and Practice

2000 - in: Anna-Teresa Tymieniecka (ed), Life Creative Mimesis of Emotion: From Sorrow to Elation: Elegiac Virtuosity in Literature, Dordrecht, Kluwer, pp.223-230.
Open Access Link

Defining Boundaries in Theatrical and Ceremonial Space in the Middle Ages

2004 - in: Anna-Teresa Tymieniecka (ed), Metamorphosis: Creative Imagination in Fine Arts Between Life-Projects and Human Aesthetic Aspirations, Dordrecht, Kluwer, pp.61-67.
Open Access Link

Paul Ricoeur's The Symbolism of Evil and the Problem of Evil in Marston's Antonio Plays

2004 - in: Anna-Teresa Tymieniecka (ed), Mystery in its Passions: Literary Explorations, Dordrecht, Kluwer, pp.237-244.
Open Access Link

Phenomenology of Emotions: Aurel Kolnai's on Disgust and Jacobean Drama

2006 - in: Anna-Teresa Tymieniecka (ed), Logos of Phenomenology and Phenomenology of the Logos V: The Creative Logos. Aesthetic Ciphering in Fine Arts, Literature and Aesthetics, Dordrecht, Springer, pp.259-274.
Open Access Link

Ontology and Epistemology of Time in the Stage Play: Revisiting Roman Ingarden's The Literary Work of Art and The Cognition of Literary Work of Art

2007 - in: Anna-Teresa Tymieniecka (ed), Temporality in Life as Seen Through Literature: Contributions to Phenomenology of Life, Dordrecht, Springer, pp.85-93.
Open Access Link

Contextualizing Anna-Teresa Tymieniecka's Concept of Fabulation

2009 - in: Anna-Teresa Tymieniecka (ed), Existence, Historical Fabulation, Destiny, Dordrecht, Springer, pp.3-8.
Open Access Link

Cosmo-Transcendental Positioning of the Living Being in the Universe in Anna-Teresa Tymieniecka's New Enlightenment

2013 - in: Anna-Teresa Tymieniecka (ed), Phenomenology and the Human Positioning in the Cosmos I: The Life-world, Nature, Earth, Dordrecht, Springer, pp.1-6.


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