Jadwiga Smith

BibliographyReferences Correspondence

Open Access Link

Cosmo-transcendental positioning of the living being in the universe in Anna-Teresa Tymieniecka's New enlightenment

2013 - in: Anna-Teresa Tymieniecka (ed), Phenomenology and the human positioning in the cosmos I: The life-world, nature, earth, Dordrecht, Springer, pp.1-6.
Open Access Link

Contextualizing Anna-Teresa Tymieniecka's concept of fabulation

2009 - in: Anna-Teresa Tymieniecka (ed), Existence, historical fabulation, destiny, Dordrecht, Springer, pp.3-8.
Open Access Link

Ontology and epistemology of time in the stage play: Revisiting Roman Ingarden's The literary work of art and the cognition of literary work of art

2007 - in: Anna-Teresa Tymieniecka (ed), Temporality in life as seen through literature: Contributions to phenomenology of life, Dordrecht, Springer, pp.85-93.
Open Access Link

Phenomenology of emotions: Aurel Kolnai's on disgust and Jacobean drama

2006 - in: Anna-Teresa Tymieniecka (ed), Logos of phenomenology and phenomenology of the logos V: The creative logos. aesthetic ciphering in fine arts, literature and aesthetics, Dordrecht, Springer, pp.259-274.
Open Access Link

Defining boundaries in theatrical and ceremonial space in the Middle Ages

2004 - in: Anna-Teresa Tymieniecka (ed), Metamorphosis: Creative imagination in fine arts between life-projects and human aesthetic aspirations, Dordrecht, Kluwer, pp.61-67.
Open Access Link

Paul Ricoeur's The symbolism of evil and the problem of evil in Marston's Antonio plays

2004 - in: Anna-Teresa Tymieniecka (ed), Mystery in its passions: Literary explorations, Dordrecht, Kluwer, pp.237-244.
Open Access Link

The problem of reconciliation in remorse: Coleridge's dramatic theory and practice

2000 - in: Anna-Teresa Tymieniecka (ed), Life creative mimesis of emotion: From sorrow to elation: elegiac virtuosity in literature, Dordrecht, Kluwer, pp.223-230.
Open Access Link

Exploring aesthetic discomfort in the experience of the comic and the tragic: John Marston's Antonio and Mellida and Antonio's revenge

1998 - in: Anna-Teresa Tymieniecka (ed), Enjoyment: From laughter to delight in philosophy, literature, the fine arts, and aesthetics, Dordrecht, Kluwer, pp.127-136.
Open Access Link

The representation of limbo in medieval drama

1997 - in: Anna-Teresa Tymieniecka (ed), Passion for place Book II: Between the vital spacing and the creative horizons of fulfilment, Dordrecht, Springer, pp.3-10.
Open Access Link

The concept of space in medieval drama: Toward a phenomenological interpretation in medieval studies

1995 - in: Anna-Teresa Tymieniecka (ed), The elemental passion for place in the ontopoiesis of life: Passions of the soul in the imaginatio creatrix, Dordrecht, Kluwer, pp.231-239.

Allegory and the dramatic foundations of the medieval theater

1994 - in: Anna-Teresa Tymieniecka; Marlies Kronegger (ed), Allegory old and new: In literature, the fine arts, music and theatre, and its continuity in culture, Dordrecht, Springer, pp.29-35.
Open Access Link

The communication of the sacred in Tymieniecka's the three movements of the soul

1994 - in: Anna-Teresa Tymieniecka (ed), From the sacred to the divine: A new phenomenological approach, Dordrecht, Kluwer, pp.75-81.
Open Access Link

A theory of drama and theatre

1991 - in: Anna-Teresa Tymieniecka (ed), Ingardeniana III: Roman Ingarden’s aesthetics in a new key and the independent approaches of others: the performing arts, the fine arts, and literature, Dordrecht, Kluwer, pp.3-62.
Open Access Link

A new phenomenology: A.-T. Tymieniecka's departure from Husserl and Ingarden

1990 - in: Hans Rudnick (ed), Ingardeniana II: New studies in the philosophy of Roman Ingarden, Dordrecht, Kluwer, pp.25-36.
Open Access Link

Longinus' on the sublime and the role of the creative imagination

1990 - in: Anna-Teresa Tymieniecka (ed), The elemental passions of the soul poetics of the elements in the human condition III, Dordrecht, Kluwer, pp.225-231.